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Monday 10 February 2020

Aesthetics are not an Absolute



Aesthetics are not an Absolute:

This picture shows a painting by Jean Siméon Chardin, the 18th century French painter (1699-1779), considered to be a master of still life. Carefully balanced compositions, soft diffusion of light and granular impasto characterize his work.


I first encountered this painting on a CD-cover of a selection of piano pieces by Jean-Philippe Rameau, performed by Tzimon Barto "A Basket full of Wild Strawberries", a jewel in its own (2005). It is also the title of the painting " Le panier de fraise des bois".

I have always admired this lovely still life, its composition with the abundant redness of the strawberries, the contrasting white flowers in the front and the delicate transparency of the glass of water.

And yesterday I showed it to a friend who immediately took to the picture, too, but had one small critique to offer. To him the glass of water seemed like any ordinary water glass and not appropriate to accompany the erotic, sensual exclusivity of the strawberries. He suggested a metal beaker on another of Chardin's paintings to go with it. 


While I couldn't find any fault in the composition it nevertheless kept me pondering on if and how much aesthetics are influenced by the values of the society we are part of.

Aesthetics are not an absolute, they are prone to change like everything else man-made and respond to the zeitgeist and the general agreement on value. In this case I remembered that back then, in about 1750, there must have been a different value accorded to glass than today, simply because the production was by far harder. So in that time this water glass was most definitively considered to be something of value, something exclusive and therefore quite fitted to go with the exclusivity of the delicious strawberries. A metal or even gold beaker would have worked well, too - probably. But I think Chardin, who is said to have been quite a humble person, chose the water glass instead, most likely because of its unobtrusive and ephemeral exclusivity.


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