Tuesday 26 November 2019

After reading Thomas Metzinger's ‘The Ego Tunnel’ - Happiness, suffering and the conscious life




After reading Thomas Metzinger's ‘The Ego Tunnel’ -  Happiness, suffering and the conscious life:

Thomas Metzinger, german professor of philosophy, active since the early 1990s in the promotion of consciousness studies as an academic endeavour, published a monograph, Being No One, in 2003 in which he argues that no such thing as selves exist in the world: nobody ever had or was a self. All that exists are phenomenal selves, as they appear in conscious experience. He argues that the phenomenal self, however, is not a thing but an ongoing process. It is the content of a "transparent self-model", which he, in another book, oriented for a more general audience (2009), called The Ego Tunnel.

Extremely interesting to me are his thoughts on happiness, suffering and the conscious life.

Our conscious existence is a bargain which is not cost-effective. From Buddha to Schopenhauer there is a long philosophical tradition which essentially postulates that Life is basically not worth living.
Since the appearance of consciousness in the universe there is now a new perspective from which to regard the known part of the physical world and the evolution of consciousness. One could regard it as "an expanding field of suffering, as a place of error and mistake in a place where such phenomena as feeling and suffering and, well, yes, joy and happiness, had not existed before".

Yes, conscious self-models (thinking, self conscious intelligent beings) did bring conscious experience like happiness and joy into this physical world. But the psychological evolution obviously did not optimise us for permanent happiness. On the contrary, the evolution has put us into a hedonistic hamster wheel.
We are being motivated to seek emotional security, pleasure and joy and at all costs to avoid pain and depression.
"The hedonistic treadmill is the motor, invented by nature, to keep an organism running. We are able to see it's structure within us, but we will never be able to escape it. We are this structure".

It appears that we, even if dramatically painful conscious moments are relatively rare in our life, on a fine grained observational layer, tend to regard our own life as not worth living. This is true in the simple sense that we do not want to really relive a significant majority of the moments out of which our life is constructed.

And now, astoundingly, another phenomenon occurs: this discovery does concern us only for a short time. Almost immediately our self-model sets in motion autobiographical and cognitive activities which stabilise our self-esteem.
"The hedonistic quality is not what counts, it is the context of all my life which counts, my goals and wishes in a bigger temporal reference frame, which determine the value of the conscious existence", we say to ourselves.
We begin to philosophise: "What counts is not the mean average or point balance - only the peak experiences truly count", we think, or: "The majority of these conscious moments are really only neutral and not really painful".
Maybe even: "Ok, it is true, most moments in my life are rather negatively tinted or simply boring, but I write a thesis (I work in medical/physical/scientific research, I am politically active, I paint an oeuvre, I make a film...), this is a contribution to mankind's knowledge gain. And insight, knowledge and cultural evolution is far more important than my own personal state of accounts.

If we regard this phenomenological fact then an uncomfortable assumption begins to form: Is it perhaps one of the main functions, on a higher level of our self-model, in order to ensure the capability to go on living in this life, to create a functionally adequate form of self-deception which makes the ugly side of our daily life invisible behind the veil of a grandiose inner tale - a self-model with a soothing narrative?





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Saturday 16 November 2019

‘Tender is the Night’ - poem




Tender is the Night

Oh, tender is the night
in nihilistic ramblings
under the cloak of the white
moth - Mother?
Oh, harmful is the touch,
in senseless probings
over the plain surface of
forgetfulness.

Tell me, how could I
forget the one, the one,
who was everything to me,
who had a name then,
who harmed me,
who touched me,
who was there.

In restless writhing agony,
the predator raises
his head and rises
above all,
above me.

I was.
I felt the world so deeply
under your cloak,
Mother.

                     Robert Faeth
                   
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Saturday 9 November 2019

Resonance




Resonance:

Enough of digitisation, pluralisation, globalisation? Life has become too complex?
Why don't you get away from civilization, flee the urban environment, move to the country!

As if it would be that easy! 

Nowadays it is almost an impossibility for the average urban dweller to just simply leave his strenuous life behind, there is far too much comfort to loose, not to mention friends, social networks and all the opportunities to see and hear art in its many forms.

No, leaving the city is not an option and also not necessary. But what is, is the occasional escape. This comes quite easy and most often proves to be very rewarding. Simply take a train 30 minutes away from your city, in my case Berlin, and you will be surprised of what you’ll find. You don’t have to book big trips to go on hiking tours on the Appalachian Trail or in Canadian forests, there is no need for Survival Boot Camps in the rainforests of the Amazon. 
Within 20 minutes you can reach quiet areas, walk on forest tracks or alongside lushly green banks of a slow canal. 

There is something to be gained from close contact to the forest: the smell, the trees, the ground they stand on, the canal water that drifts slowly by. For a short time I forget the arduous hectic life of surviving in the city, get rid of the constant push and shove, no need  anymore to protect yourself from the onslaught of other pushers and shovers. Competition rests for a little while, I find time and rest again and the window to focus on myself. I feel that I can just be, without excuse or explanation or even purpose. I can just be. I owe no one anything. Not even a goal.

To be outdoors, in the open air, is not escapism. It is rather a readjustment of my inner values, it makes me aware of what I really need and want, set priorities anew amd revalue. Here, outdoors, in nature, I find myself all of a sudden resonating. Resonating with nature, with things that live their own life, independent from me. I strongly believe that this resonance is the key ingredient for happiness. I feel the water drift past me in the canal, I feel the wind blowing through the branches and leaves of the trees, I smell the sodden earth. I resonate with all this because it invites me but does not force me, there is no obligation, it is a simple offer. If I take it, I resonate, I am happy. I resonate with nature, I resonate with art, I resonate when I eat a delicious meal, I resonate when I am in love or read a book. And the world around me answers, resonates too. Not always, not permanently, but most often enough so for me to gain back my equilibrium, gain back that ultimate sense of feeling myself. 


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Friday 8 November 2019

Artist Josè Dávila








Artist Josè Dávila:

Recently I visited an exhibition in the Martin-Gropius-Bau in Berlin, titled „Durch Mauern gehen“ (“Walking through walls“) and saw an impressing piece there by Mexican artist, José Dávila (*1974). It is one of his newer pieces which are all imposing, fragile and space defining sculptures.

They play with physical forces like balance and mass. Material, fabric and surfaces lend this often very heavy sculptures lightness and fragility. They echo Minimal Art, Arte Povera or Art Concrete when, for example, very heavy marble slabs are put into a threatening slanting position through the use of simple and clever strutting or the ingenious use of intensely primary colored tension belts. Suspense is gained from mixing so different materials as marble and high tech tension belts and from the tactility of the forces of physics.



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Wednesday 6 November 2019

100 Books that shaped our world - A BBC initiative



The BBC has published a list of 100 books that “shaped our world" to mark the 300th anniversary of the English language novel. When they say: "Our World" they of course refer to the "Western, English-speaking world", not everone's world (they are British, after all :)

They (the BBC) also made a three-part series of these books. I congratulate the BBC on this great initiative to bring books closer to people, to entice them to read, to talk and discuss.

Here is the full list:

Identity:
Beloved – Toni Morrison
Days Without End – Sebastian Barry
Fugitive Pieces – Anne Michaels
Half of a Yellow Sun – Chimamanda Ngozi Adichie
Homegoing – Yaa Gyasi
Small Island – Andrea Levy
The Bell Jar – Sylvia Plath
The God of Small Things – Arundhati Roy
Things Fall Apart – Chinua Achebe
White Teeth – Zadie Smith

Love, Sex & Romance:
Bridget Jones’s Diary – Helen Fielding
Forever – Judy Blume
Giovanni’s Room – James Baldwin
Pride and Prejudice – Jane Austen
Riders – Jilly Cooper
Their Eyes Were Watching God – Zora Neale Hurston
The Far Pavilions – M. M. Kaye
The Forty Rules of Love – Elif Shafak
The Passion – Jeanette Winterson
The Slaves of Solitude – Patrick Hamilton

Adventure:
City of Bohane – Kevin Barry
Eye of the Needle – Ken Follett
For Whom the Bell Tolls – Ernest Hemingway
His Dark Materials Trilogy – Philip Pullman
Ivanhoe – Walter Scott
Mr Standfast – John Buchan
The Big Sleep – Raymond Chandler
The Hunger Games – Suzanne Collins
The Jack Aubrey Novels – Patrick O’Brian
The Lord of the Rings Trilogy – J.R.R. Tolkien

Life, Death & Other Worlds:
A Game of Thrones – George R. R. Martin
Astonishing the Gods – Ben Okri
Dune – Frank Herbert
Frankenstein – Mary Shelley
Gilead – Marilynne Robinson
The Chronicles of Narnia – C. S. Lewis
The Discworld Series – Terry Pratchett
The Earthsea Trilogy – Ursula K. Le Guin
The Sandman Series – Neil Gaiman
The Road – Cormac McCarthy

Politics, Power & Protest:
A Thousand Splendid Suns – Khaled Hosseini
Brave New World – Aldous Huxley
Home Fire – Kamila Shamsie
Lord of the Flies – William Golding
Noughts & Crosses – Malorie Blackman
Strumpet City – James Plunkett
The Color Purple – Alice Walker
To Kill a Mockingbird – Harper Lee
V for Vendetta – Alan Moore
Unless – Carol Shields

Class & Society:
A House for Mr Biswas – V. S. Naipaul
Cannery Row – John Steinbeck
Disgrace – J.M. Coetzee
Our Mutual Friend – Charles Dickens
Poor Cow – Nell Dunn
Saturday Night and Sunday Morning – Alan Sillitoe
The Lonely Passion of Judith Hearne – Brian Moore
The Prime of Miss Jean Brodie – Muriel Spark
The Remains of the Day – Kazuo Ishiguro
Wide Sargasso Sea – Jean Rhys

Coming of Age:
Emily of New Moon – L. M. Montgomery
Golden Child - Claire Adam
Oryx and Crake – Margaret Atwood
So Long, See You Tomorrow – William Maxwell
Swami and Friends – R. K. Narayan
The Country Girls - Edna O’Brien
The Harry Potter series - J. K. Rowling
The Outsiders – S. E. Hinton
The Secret Diary of Adrian Mole, Aged 13 ¾ - Sue Townsend
The Twilight Saga – Stephenie Meyer

Family & Friendship:
A Suitable Boy – Vikram Seth
Ballet Shoes – Noel Streatfeild
Cloudstreet – Tim Winton
Cold Comfort Farm – Stella Gibbons
I Capture the Castle – Dodie Smith
Middlemarch – George Eliot
Tales of the City – Armistead Maupin
The Shipping News – E. Annie Proulx
The Tenant of Wildfell Hall – Anne Brontë
The Witches – Roald Dahl

Crime & Conflict:
American Tabloid – James Ellroy
American War – Omar El Akkad
Ice Candy Man – Bapsi Sidhwa
Rebecca -Daphne du Maurier
Regeneration – Pat Barker
The Children of Men – P.D. James
The Hound of the Baskervilles – Arthur Conan Doyle
The Reluctant Fundamentalist – Mohsin Hamid
The Talented Mr Ripley – Patricia Highsmith
The Quiet American – Graham Greene

Rule Breakers:
A Confederacy of Dunces – John Kennedy Toole
Bartleby, the Scrivener – Herman Melville
Habibi – Craig Thompson
How to be Both – Ali Smith
Orlando – Virginia Woolf
Nights at the Circus – Angela Carter
Nineteen Eighty-Four – George Orwell
Psmith, Journalist – P. G. Wodehouse
The Moor’s Last Sigh – Salman Rushdie
Zami: A New Spelling of My Name – Audre Lorde




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Sunday 3 November 2019

“Fulfilled Life" by Bertrand Russell - a quote







“Fulfilled Life" by Bertrand Russell:

A quote from British philosopher, mathematician, historian and Nobel laureate Bertrand Russell (May 18, 1872 – February 2, 1970) on a "Fulfilled Life".
Interestingly Russell places at the heart of a fulfilling life foremost the dissolution of the personal ego.

He writes, building on rivers as a metaphor of life:

“Make your interests gradually wider and more impersonal, until bit by bit the walls of the ego recede, and your life becomes increasingly merged in the universal life. An individual human existence should be like a river — small at first, narrowly contained within its banks, and rushing passionately past rocks and over waterfalls. Gradually the river grows wider, the banks recede, the waters flow more quietly, and in the end, without any visible break, they become merged in the sea, and painlessly lose their individual being.“


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“Old God's Time“ by Sebastian Barry - review

  “Old God's Time” by Sebastian Barry: It is somewhere in the middle of the 1990s in Dalkey at the Irish sea and widower Tom Kettle, f...